Breadcrumb_light image

Quotes By John Prine

John Prine Image

Artist

John Prine

Oct 10, 1946 - Apr 07, 2020

I guess what I always found funny was the human condition. There is a certain comedy and pathos to trouble and accidents. Like, when a driver has parked his car crookedly and then wonders why he has the bad luck of being hit.

As far as guitar picking, if I make the same mistakes at the same time every day, people will start calling it a style.

Blow up your TV...throw away your paper...move to the country and build you a home. Plant a little garden...eat a lot of peaches...try and find Jesus on your own.

Now Jesus, he don't like killing, no matter what the reason is for, and your flag decal won't get you into heaven anymore.

I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was...I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually-usually sometime around 3 in the morning-I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.

I always knew Gordon Lightfoot was a really great songwriter, but his stuff even sounds better and better all the time. It's just so really good to me. It's just like that's what should be in a dictionary, you know, next to a really good contempory folk song, is a Gordon Lightfoot song.

You can fool some of the people part of the time in a rock and roll song, fifty million Elvis Presley fans can't be all wrong.

In my songs, I try to look through someone else's eyes, and I want to give the audience a feeling more than a message.

I just like a good, sad song. The sadder, the better. It moves me.

The Ways of a Woman in Love' is one of my very favorite early Johnny Cash songs. I like the way the lyric talks about the character walking by the girl's house and wishing he was the one in her arms.

I used to read a lot of Steinbeck, and I admired Roger Miller and Bob Dylan.

I think I've finally, after 72 years, gotten used to my voice, and it sounds like a friend now instead of an enemy.

Johnny Cash was like Abraham Lincoln to me.

Sam Stone' is a song about futility.

Howie Epstein was a kind, patient, and extremely talented musician. He took two years out of his life and dedicated his undivided attention to the making of two of my records. Those records changed my life thanks to Howie.

Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.

I sound like that old guy down the street that doesn't chase you out of his apple tree.

I became a recording artist before I knew it. And I just - when I would listen to my old records, I'd just hear this young, extremely nervous fella that that made me want to run out of the room, you know, rather than listen to what he had to say.

I grew up in Chicago, but I spent a lot of time down in Kentucky, and Kentucky was about 20 years behind the life that was in Chicago.

I'll go to the movies and hear 'Angel From Montgomery' in some film, and nobody ever even told me about it. They don't tell you your stuff is going to be in a movie. They don't have to, so they don't tell you. You get paid eventually.