

I just like a good, sad song. The sadder, the better. It moves me.
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I figure I've probably got a better chance of coming up with a good Paul McCartney song than Oasis has.
I knew Fred since I was 14 and was first going to the Old Town School, Fred used to work part-time in the store. Every time I wrote a song Fred would turn on his really good high-class tape recorder, reel-to-reel, and record it. So he's got recordings of me on guitar singing all my songs in his apartment long before I ever recorded for a recording company. I never found out what happened to the tapes.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
I'm mainstream, and I have pretty chart-tastic tastes. I don't often veer away from a big melodic song with big words for big stadiums.
I'm not in love with things at the moment. I was never crazy about Nirvana - too angst-ridden for me. I like Pearl Jam. I prefer them to a lot of other bands. There's a lot of angst in a lot of it, which is one of the great things to tap into. But I'm not a fan of moroseness.
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