Breadcrumb_light image

Talent Quotes

The effect of discussions, making a show of talent, and calling councils of war will be what the effect of these things has been in every age: they will end in the adoption of the most pusillanimous or (if the expression be preferred) the most prudent measures, which in war are almost uniformly the worst that can be adopted.True wisdom, so far as a general is concerned, consists in energetic determination.

When you determine to risk a battle, reserve to yourself every possible chance of success, more particularly if you have to deal with an adversary of superior talent, for if you are beaten, even in the midst of your magazines and your communications, woe to the vanquished!

To each there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.

I was always a singer. I always sang as a child. I was one of those kids who just liked to sing. Some children sing in choirs; others like to show off in front of the mirror. I was in the church choir and I also loved listening to singers on the radio - the BBC or Radio Luxembourg - or watching them on TV and in the movies.

I didn't have any inhibitions. I saw Elvis and Gene Vincent, and I thought, 'Well, I can do this.' And I liked doing it. It's a real buzz, even in front of 20 people, to make a complete fool of yourself. But people seemed to like it. And the thing is, if people started throwing tomatoes at me, I wouldn't have gone on with it. But they all liked it, and it always seemed to be a success, and people were shocked. I could see it in their faces.

I can do Jumpin' Jack Flash in the bath at midnight, on my head. I don't need to rehearse to do that, I really don't.

I've leaned on God for so long. "Hey, God, you just gave me this gift, and I'm just going to go out there and sing." But I'm realizing how much larger and how expansive my gift becomes when I actually pay attention to it and try to practice and try to perfect it.

It's not enough to be the best at what you do. You must be perceived as the only one who does what you do.

Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.

You were born to rock, you'll never be an opera star.

I was just 20 years old when I wrote Broken Arrow.

A lot of people wanted to try to make me the white Nicki Minaj. That's not what I'm trying to do. I love 'hood' music, but my talent is as a singer. My 13-year-old self would have beaten up my 17-year-old self because she would be like, 'You're a sellout!'

My dad says I could sing before I could talk, if that's possible. I was always humming and things like that.

It destroys the soul to hear that you're all hype, that you have no talent, and that your whole career has been contrived.

I wanted a participation song, something the fans could latch on to. It was aimed at the masses. I wanted to write something that everyone could sing along to, like a football chant. And at the same time, I thought it would be nice to have a winning song that's meant for everybody. It worked a treat.

Montserrat Caballé is sensational. She has that same kind of emotion as Aretha Franklin. The way she delivers a song is so very natural. It's a very different gift.

Liza, in terms of sheer talent, just oozes with it. She has sheer energy and stamina, which she gets across the stage, and the way she delivers herself to the public is a good influence. There is a lot to learn from her.

George Martin, he's very good at a very sort of lush, sweet arrangement.

I think people who create and write, it actually does flow-just flows from into their head, into their hand, and they write it down. It's simple.

One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.