

You were born to rock, you'll never be an opera star.
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I was just 20 years old when I wrote Broken Arrow.
Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.
I was always a singer. I always sang as a child. I was one of those kids who just liked to sing. Some children sing in choirs; others like to show off in front of the mirror. I was in the church choir and I also loved listening to singers on the radio - the BBC or Radio Luxembourg - or watching them on TV and in the movies.
George Martin, he's very good at a very sort of lush, sweet arrangement.
As a performer I've played for 50,000 people and I've played for 50 people and I can tell you that it is harder to play for 50 people. 50,000 people have a singular persona, not so with 50. Each person has an individual, separate identity, a world unto themselves. They can perceive things more clearly. Your honesty and how it relates to the depth of your talent is tried.
One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.
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