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I was just 20 years old when I wrote Broken Arrow.

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Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.

When I was four, I wrote a song about falling into a black hole.

You were born to rock, you'll never be an opera star.

With Crazy Horse, it's all one big, growing, smoldering sound, and I'm part of it. It's like gliding, or some sort of natural surfing.

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.

Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual. I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities.