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Experience Quotes

In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.

In this bright future you can't forget your past.

There is a trade off - as you grow older you gain wisdom but you lose spontaneity.

Five or six songs leaked from the original version of 'Encore.' So I had to go in and make new songs to replace them.

My life has often been described as 'from rags to riches' but in fact, the Ross's were never raggedy.

I work with my brother Finneas, and he produces all of my music in his little bedroom in our house. We actually tried renting out a studio for a month when we were producing 'Don't Smile at Me,' but it was really hard there, and we ended up just doing it at home anyway.

Gospel music was the thing that inspired me as a child growing up on a cotton farm, where work was drudgery and it was so hard that when I was in the field I sang all the time. Usually gospel songs because they lifted me up above that black dirt.

I had a song called "Folsom Prison Blues" that was a hit just before "I Walk The Line." And the people in Texas heard about it at the state prison and got to writing me letters asking me to come down there. So I responded and then the warden called me and asked if I would come down and do a show for the prisoners in Texas.

When I was 17 - 16, my father and I cut wood all day long and I was swinging that crosscut saw and hauling wood.

Every week, Dennis Day sang an old Irish folk song. And next day in the fields, I'd be singing that song if I was working in the fields.

[Sam Phillips] laughed at me. I just didn't like the way I Walk The Line sounded to me. I didn't know I sounded that way. And I didn't like it. I don't know. But he said let's give it a chance, and it was just a few days until - that's all it took to take off.

I kept talking to my producers at Columbia about recording one of those [prison] shows. So we went into Folsom on February 11, 1968, and recorded a show live.

Sam Phillips asked me to go write a love song, or maybe a bitter weeper. So I wrote a song called, "Cry Cry Cry," went back in and recorded that for the other side of the record.

You feel your strength in the experience of pain.

When sex involves all the senses intensely, it can be like a mystical experience.

When I first moved to New York I wanted to be a dancer, I danced professionally for years, living a hand-to-mouth existence.

I grew up in a very nice house in Houston, went to private school all my life and I've never even been to the 'hood. Not that there's anything wrong with the 'hood.

I wish I could tell you me and my rock band were traveling around, strung out. No, we were a family band. Straight Partridge Family.

My mother is very emotional as well, but my dad is more of the guts of the family. He was the main preacher, so he kind of had this little Pentecostal flair, but they are born-again.

When I was fourteen and first started going out, I always wanted to be the opposite of everyone else. So I would go to the club in a polo T-shirt and pants and sneakers and a hat on backward, just so I would not be dressed like other girls.