

In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.
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I meet so many people that just sort of say, "I want to thank you for your music. It really helped me" or "It changed my life."
I went to a radio station on Long Island in 1982, and thank goodness for me, it was so new that there was no receptionist. So the DJ opened up his booth, and took my tape and listened to it and thought it was a hit song.
I kept talking to my producers at Columbia about recording one of those [prison] shows. So we went into Folsom on February 11, 1968, and recorded a show live.
[Sam Phillips] laughed at me. I just didn't like the way I Walk The Line sounded to me. I didn't know I sounded that way. And I didn't like it. I don't know. But he said let's give it a chance, and it was just a few days until - that's all it took to take off.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.
I'm a Loser,' 'Help,' 'Strawberry Fields,' they are all personal records. I always wrote about me when I could. I didn't really enjoy writing third person songs about people who lived in concrete flats and things like that. I like first person music. But because of my hang-ups and many other things; I would only now and then specifically write about me.
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