I don't feel connected to the whole vision of the record in the same way-it's got all these characters. The point of view of "Love Earth" and the point of view of "Break the Chain" are so different. It's not the same thing, but it is the same thing.

Samba rhythm is a great one to sing on, but it's also got some other suggestions in it, an undercurrent of being primitive - because it is a primitive African, South American, Afro-whatever-you-call-that rhythm. So to white people, it has a very sinister thing about it.

Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.

Prisoners are the greatest audience that an entertainer can perform to.

Music's for grooving man, and music's not for puttin' yourself through bad changes, y'know? I mean, you don't have to go take anybody's shit, man, just to like music, y'know what I mean? You don't. So... so if you're getting' more shit than you deserve, you know what to do about it man. Y'know, it's just music. Music's... music's s'posed to be different than that.

People, whether they know it or not, like their blues singers miserable. They like their blues singers to die afterwards.