I think people appreciate a songwriter who shows different sides. The whole angst thing is cool, but if that's all you've got, it's just boring. Everything I write, whether it's happy or sad, has a sense of humor to it.

The world don't need any more songs... As a matter of fact, if nobody wrote any songs from this day on, the world ain't gonna suffer for it... There's enough songs for people to listen to, if they want to listen to songs. For every man, woman and child on earth, they could be sent, probably, each of them, a hundred songs, and never be repeated... Unless someone's gonna come along with a pure heart and has something to say. That's a different story.

A BIG PART OF SONGWRITING, like all writing, is editing-distilling thought down to essentials. Novice writers often hide behind filigree. In many cases the artistry is in what is unsaid. As the old saying goes, an iceberg moves gracefully because most of it is beneath the surface.

My sense of rhyme used to be more involved in my songwriting than it is... Still staying in the unconscious frame of mind, you can pull yourself out and throw up two rhymes first and work it back. You get the rhymes first and work it back and then see if you can make it make sense in another kind of way. You can still stay in the unconscious frame of mind to pull it off, which is the state of mind you have to be in anyway.

My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories.

As far as songwriting, my inspirations came from love, life and death, and viewing other people's situations.