

For me, Spotify is not even a necessary evil. It helps me do what I want to do.
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Personally, I think you can put any interpretation you want on anything, but when someone suggests that Can't Buy Me Love is about a prostitute, I draw the line. That's going too far.
I don't feel connected to the whole vision of the record in the same way-it's got all these characters. The point of view of "Love Earth" and the point of view of "Break the Chain" are so different. It's not the same thing, but it is the same thing.
I'm just a musical prostitute, my dear.
In my songs, I try to look through someone else's eyes, and I want to give the audience a feeling more than a message.
I think the best duets are those where there's a dialogue back and forth, and then the two singers go into a thing together.
The truth is there was a golden era in music from 1962 to 1978 - after that it all went a bit tits up. I blame the fucking drum machine and the fucking shoulder pads of the 1980s.
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