

The singer alone does not make a song, there has to be someone who hears.
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I started singing rhythmically, and now I'm learning from Otis Redding to push a song instead of just sliding over it.
At art school, a teacher said: 'The best paintings are when you get lost in a piece of work and start painting in a stream of consciousness.' I wanted to do music, not art, so started writing lyrics that way. The first song I wrote was called 'Ice Cream and Wafers.' The next was 'Holding Back the Years.'
It's lovely to hear that We Are The Champions is a song that's been taken up by, you know, football fans 'cause that's a winners' song which keeps coming back.
Robert Plant was always my favorite singer-and he's said nice things about me, you know.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
I wanted a participation song, something the fans could latch on to. It was aimed at the masses. I wanted to write something that everyone could sing along to, like a football chant. And at the same time, I thought it would be nice to have a winning song that's meant for everybody. It worked a treat.
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