

The thing about my music is, there really is no point.
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To start off with, that song was written by John Deacon and he's a very happily married man with about four children. I don't know where you've got that message from, it's got nothing to do with gay people at all. It's basically about everybody, it's just somebody who has a very tough life and he just wants to break free from whatever problems he's got. It's got nothing to do with the gay thing.
Sam Stone' is a song about futility.
Very much like that, and very much a loner, do you know and I didn't fit really into sport or all kind of group activities as a kid, I couldn't find a niche. And music was not really part of the kind of village curriculum it would, you know.
Sometimes people ask songwriters what a song means, not realizing if they had more words to explain it they would've used them in the song.
I feel that the name Queen actually fitted that time. It lent itself to a lot of things, like the theatre, and it was grand. It was very pompous, with all kinds of connotations. It meant so much. It wasn't just one precise label. I was certainly aware of the gay connotations, but that was just one facet of it.
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
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