Sam Stone' is a song about futility.

I feel that the name Queen actually fitted that time. It lent itself to a lot of things, like the theatre, and it was grand. It was very pompous, with all kinds of connotations. It meant so much. It wasn't just one precise label. I was certainly aware of the gay connotations, but that was just one facet of it.

The thing about my music is, there really is no point.

To start off with, that song was written by John Deacon and he's a very happily married man with about four children. I don't know where you've got that message from, it's got nothing to do with gay people at all. It's basically about everybody, it's just somebody who has a very tough life and he just wants to break free from whatever problems he's got. It's got nothing to do with the gay thing.

Bellyache' is totally fictional. I like writing about things that aren't real. The song is about not trusting anyone and then putting trust in yourself and realizing that you don't know what you are doing, either. Or realizing that things you do with a group of people that you think are cool in the moment are ultimately all on you.

At certain times I read a lot of poetry. My favorite poets are Shelley and Keats. Rimbaud is so identifiable. Lord Byron. I don't know. Lately if I read poems, it's like I can always hear the guitar. Even with Shakespeare's sonnets I can hear a melody because it's all broken up into timed phrases so I hear it. I always keep thinking, 'What kind of song would this be?'