

We have a lot of secondary market problems in the U.K.; it's really bad there. And lots of artists are starting to participate in it, because they put the tickets up at a certain price, then the tickets get marked up by the secondary sellers, and someone else gets twice as much as you.
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I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.
Because artists can be extremely eccentric and insane, and unfortunately, the people they hurt the most are the people that are closest to them.
I remember thinking, "This girl's got it all, and then some!". Unbelievable voice, great dancer and so very beautiful. Without a doubt, she's one of the most talented artists the world has ever seen or heard, and I think she's going to continue to amaze us for many, many years to come.
My role in society, or any artist's or poet's role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.
You don't hear no artists from Compton showing vulnerability.
If you truly believe that artists have a responsibility to uphold their liberal virtues by using their massive platforms, then those artists should be judged by the danger and inconvenience that they face for doing so, not by the rewards they receive for parroting consensus.
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