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If you truly believe that artists have a responsibility to uphold their liberal virtues by using their massive platforms, then those artists should be judged by the danger and inconvenience that they face for doing so, not by the rewards they receive for parroting consensus.

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It's a tough pill to swallow, but if I was going to stand for something as an artist, and every time that had consequences I decided not to do it, that'd be pointless. I have to listen to people, and I always try to meet people with understanding.

We used to want our artists to be cigarette-smoking bohemian outsiders who were gonna take risks that the rest of us wouldn't.

We have a lot of secondary market problems in the U.K.; it's really bad there. And lots of artists are starting to participate in it, because they put the tickets up at a certain price, then the tickets get marked up by the secondary sellers, and someone else gets twice as much as you.

I think a responsibility comes with notoriety, but I never think of it as power. It's more like something you hold, like grains of sand. If you keep your hand closed, you can have it and possess it, but if you open your fingers in any way, you can lose it just as quickly.

What makes a song last is real content from a mind that is thinking a little bit harder about certain things. A lot of artists don't really think that hard.

You don't hear no artists from Compton showing vulnerability.