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The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.

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From a broken relationship I was in. I could not understand what went wrong and I had to explain to myself, and I did it through this song. The next day I thought, Jesus, that's beautiful. I didn't recognize it at the time, it was just pouring out of me.

Only time will tell if it was time well-spent.

My life is not a political campaign. I just write about what is on my mind. I just play whatever I feel like playing. Whatever is in my soul at the time is what I want to do. I have, thank god, enough people who are still interested in what I am doing so that I can go out and keep doing it.

All my life I just wanted to be a beatnik. Meet all the heavies, get stoned, get laid, have a good time. That's all I ever wanted. Except I knew I had a good voice and I could always get a couple of beers off of it. All of a sudden someone threw me in this rock 'n' roll band. They threw these musicians at me, man, and the sound was coming from behind. The bass was charging me. And I decided then and there that that was it. I never wanted to do anything else. It was better than it had been with any man, you know. Maybe that's the trouble.

I was always keen to do a solo album. I just wanted it to be the right time and the right place so that I could actually work properly on the songs that I wanted to do before I got too old.

Something like Bohemian Rhapsody didn't just come out of thin air. I did a bit of research, although it was tongue-in-cheek and it was mock-opera. Why not? I certainly wasn't saying I was an opera fanatic and I knew everything about it.