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I want my records to represent who I am, and I'm so fucking many things. And I also never wanna do anything that feels humble, because that would be performative.

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I've thought about every single word on this album for two years; I'd think about a tweet for 20 seconds. My album's gonna go out to, what, 10 million people, but a tweet could go out to a billion. The maths doesn't work out. I'll die on the hill of my records, but I won't die on the hill of my tweets. It's better to say good things less than to say average things more.

If fidelity really mattered, 'Loveless' wouldn't be one of the best records of all time.

I have records in gold, in platinum, I have two Oscars, I have Grammys and so on.

I've always wanted the sound of Muddy Waters' early records - only louder

I'm a Loser,' 'Help,' 'Strawberry Fields,' they are all personal records. I always wrote about me when I could. I didn't really enjoy writing third person songs about people who lived in concrete flats and things like that. I like first person music. But because of my hang-ups and many other things; I would only now and then specifically write about me.

When I first started out in this music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to.