The children understood the stakes they were fighting for. I think of one teenage boy whose father's devotion to the movement turned sour when he learned that his son had pledged himself to become a demonstrator. The father forbade his son to participate. "Daddy," the boy said, "I don't want to disobey you, but I have made my pledge. If you try to keep me home, I will sneak off. If you think I deserve to be punished for that, I'll just have to take the punishment. For, you see, I'm not doing this only because I want to be free. I'm doing it also because I want freedom for you and Mama, and I want it to come before you die." That father thought again, and gave his son his blessing.

The movement does not seek to liberate Negroes at the expense of the humiliation and enslavement of whites.

We are moving up a mighty highway toward the city of Freedom. There will be meandering points. There will be curves and difficult moments, and we will be tempted to retaliate with the same kind of force that the opposition will use. But I'm going to say to you, 'Wait a minute, Birmingham. Somebody's got to have some sense in Birmingham.

A generation of young people has come out of decades of shadows to face naked state power; it has lost its fears, and experienced the majestic dignity of a direct struggle for its own liberation. These young people have connected up with their own history-the slave revolts, the incomplete revolution of the Civil War, the brotherhood of colonial colored men in Africa and Asia. They are an integral part of the history which is reshaping the world, replacing a dying order with modern democracy.

We did not hesitate to call our movement an army. But it was a special army, with no supplies but its sincerity, no uniform but its determination, no arsenal except its faith, no currency but its conscience.

Every revolutionary movement has its peaks of united activity and its valleys of debate and internal confusion. This debate might well have been little more than a healthy internal difference of opinion, but the press loves the sensational and it could not allow the issue to remain within the private domain of the movement. In every drama there has to be an antagonist and a protagonist, and if the antagonist is not there the press will find and build one.