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Some artists are working to buy the mansion or whatever the element of fame must bear, but I spend all my money on my show.

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The world looks with some awe upon a man who appears unconcernedly indifferent to home, money, comfort, rank, or even power and fame. The world feels not without a certain apprehension, that here is some one outside its jurisdiction; someone before whom its allurements may be spread in vain; some one strangely enfranchised, untamed, untrammelled by convention, moving independent of the ordinary currents of human action.

The only big things I've purchased are my dad's heart valve and a Rolls-Royce for my parents, for their anniversary. And that was only because my dad had a Lady Gaga license plate on our old car and it was making me crazy because he was getting followed everywhere, so I bought him a new car.

I think there are different kinds of fame. There's fame which is plastic and about paparazzi and money and being rich, and then there's the fame, which is when no one knows who you are but everyone wants to know who you are.

It's all fleeting. As fame is fleeting, so are all the trappings of fame fleeting. The money, the clothes, the furniture.

Fame is ultimately about the cycles of desire and how to do away with them or manage them well.

Money is completely boring to me. It means nothing, except it feeds my art. Every penny I make goes back into the Haus of GaGa. My Haus of GaGa is something like Andy Warhol's Factory.