

Working with Love and Death on 'Let Me Love You' was sort of a supernatural experience. I was mourning the loss of a loved one when I recorded the song.
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I get an audience personally involved in a song - because I'm involved myself. It's not something I do deliberately: I can't help myself. If the song is a lament at the loss of love, I get an ache in my gut. I feel the loss myself and I cry out the loneliness, the hurt and the pain that I feel.
I know there will be no more tears in heaven.
Each song is a child I nourish and give my love to. But even if you have never written a song, your life is a song. How can it not be?
[Unplugged] was also the cheapest to produce and required the least amount of preparation and work. But if you want to know what it actually cost me, go to Ripley and visit the grave of my son.
As far as songwriting, my inspirations came from love, life and death, and viewing other people's situations.
The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.
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