

You don't hear no artists from Compton showing vulnerability.
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We have a lot of secondary market problems in the U.K.; it's really bad there. And lots of artists are starting to participate in it, because they put the tickets up at a certain price, then the tickets get marked up by the secondary sellers, and someone else gets twice as much as you.
I remember thinking, "This girl's got it all, and then some!". Unbelievable voice, great dancer and so very beautiful. Without a doubt, she's one of the most talented artists the world has ever seen or heard, and I think she's going to continue to amaze us for many, many years to come.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists.
We used to want our artists to be cigarette-smoking bohemian outsiders who were gonna take risks that the rest of us wouldn't.
As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.
If you truly believe that artists have a responsibility to uphold their liberal virtues by using their massive platforms, then those artists should be judged by the danger and inconvenience that they face for doing so, not by the rewards they receive for parroting consensus.
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