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I've always been trying to write songs like Lightfoot. A song of mine like 'Come Monday' is a direct result of me trying to write a Gordon Lightfoot song.

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Especially when you've got your own mail route, day after day, it was an easy place to write. It was like going to a library with no books. You're afforded to just go do your job, and you don't really even have to think about it. You know you're on the right street and you're at the right house, and you're putting the mail in the right box. That's where I wrote a lot of the early songs, walking on the mail route.

A lot of my songs are fantasy. I can dream up all kinds of things. That's the kind of world I live in. It's very sort of flamboyant, and that's the kind of way I write. I love it.

I don't write songs about a specific, elusive thing. I write about love, and everyone knows what it is like to have your heart broken.

Songs are my diaries; they always have been. You have to put your trust in everyone because putting down those real, personal details and thoughts that make a song authentic also opens you right up. I am constantly misunderstood; a lot of people just don't get me.

I wish I could write easily. I'm one of those guys who's visited by the muse when things are dire.

John could write a mean song. He had a lot of venom in him. Whereas I had a happy childhood.