Especially when you've got your own mail route, day after day, it was an easy place to write. It was like going to a library with no books. You're afforded to just go do your job, and you don't really even have to think about it. You know you're on the right street and you're at the right house, and you're putting the mail in the right box. That's where I wrote a lot of the early songs, walking on the mail route.

I used to write random little stupid things when I was five, but then the first song I really wrote was one called 'Fingers Crossed,' which is on SoundCloud.

John could write a mean song. He had a lot of venom in him. Whereas I had a happy childhood.

A song is like a dream, and you have to make it come true. They're like strange countries that you have to enter. You can write a song anywhere, in a railroad compartment, on a boat, on horseback -- it helps to be moving. Sometimes people who have the greatest talent for writing songs never write any because they are not moving.

I've always been trying to write songs like Lightfoot. A song of mine like 'Come Monday' is a direct result of me trying to write a Gordon Lightfoot song.

I wanted a participation song, something the fans could latch on to. It was aimed at the masses. I wanted to write something that everyone could sing along to, like a football chant. And at the same time, I thought it would be nice to have a winning song that's meant for everybody. It worked a treat.