Twentieth-century culture's disease is the inability to feel their reality. People cluster to TV, soap operas, movies, theater, pop idols and they have wild emotion over symbols. But in the reality of their own lives, they're emotionally dead.

What separated me from all my homeboys is the fact that I didn't get caught inside the reality. I was always dreaming about doing something else or going somewhere else.

I know we make our own reality, and we always have a choice, but how much is preordained? Is there always a fork in the road, and are there two preordained paths that are equally preordained? There could be hundreds of paths where one could go this way or that way -- there's a chance, and it's very strange sometimes.

I'm half living my life between reality and fantasy at all times.

Hip-hop is not the problem, our reality is the problem.

My style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic.