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My style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic.

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I've never written a political song. Songs can't save the world. I've gone through all that.

I put one on the turntable and when the needle dropped, I was stunned - didn't know if I was stoned or straight... All these songs together, one after another made my head spin. It made me want to gasp. It was like the land parted.

I'm coming out of the folk music tradition and that's the vernacular and archetypal aesthetic that I've experienced. Those are the dynamics of it. I couldn't have written songs for the Brill Building if I tried. Whatever passes for pop music, I couldn't do it then and I can't do it now.

It's the thing to do, to tell all the teeny-boppers, "I dig The Beatles" and you sing a song like "Yesterday" or "Michelle". Hey, God knows, it's such a cop-out, man, both of those songs. If you go into the Library of Congress, you'll find stuff a lot better than that. There are millions of songs like "Michelle" or "Yesterday" written in Tin Pan Alley.