

My style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic.
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Hip-hop is not the problem, our reality is the problem.
Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred. In those moments, I felt my spirit soar and become one with everything that exists.
I'm coming out of the folk music tradition and that's the vernacular and archetypal aesthetic that I've experienced. Those are the dynamics of it. I couldn't have written songs for the Brill Building if I tried. Whatever passes for pop music, I couldn't do it then and I can't do it now.
It's the thing to do, to tell all the teeny-boppers, "I dig The Beatles" and you sing a song like "Yesterday" or "Michelle". Hey, God knows, it's such a cop-out, man, both of those songs. If you go into the Library of Congress, you'll find stuff a lot better than that. There are millions of songs like "Michelle" or "Yesterday" written in Tin Pan Alley.
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