It's kind of limiting using your intellect to write songs like Brown Sugar, isn't it? The only thing I'm really interested in is comparative religion and ancient history.

Songs like 'Radioactive' by Imagine Dragons, it might as well be called 'Pikachu Banana.' It's nothingness.

I didn't want to be part of that thing. I liked the town. I felt they exploited the shit out of that, going up there and getting 15 million people all in the same spot. That don't excite me. The flower generation - is that what it was? I wasn't into that at all. I just thought it was a lot of kids out and around wearing flowers in their hair taking a lot of acid.

The bootleg records, those are outrageous. I mean, they have stuff you do in a phone booth. Like, nobody's around. If you're just sitting and strumming in a motel, you don't think anybody's there, you know . . . it's like the phone is tapped and then it appears on a bootleg record. With a cover that's got a picture of you taken from underneath your bed and it's got a striptease-type title and it costs $30. Amazing. Then you wonder why most artists feel so paranoid.

People are afraid of Beatle music. They are still afraid of my songs. Because they got that big image thing: You can't do a Beatle number... You can't touch a Lennon song; only Lennon can do it... It's garbage! Anybody can do anything. A few people in the past have done Beatle songs. But in general they feel you can't touch them. And there are so many good singles that the Beatles wrote that were never released. Why don't people do them? It's good for me; it's good for Paul. It's good for all of us.

Anyone who lip-synchs in public on stage when you pay 75 pounds to see them should be shot.