

I definitely believe people should pay for copyrighted works. And the laws are sufficient: They already require you to pay for copyright work. There's no confusion. The problem is...it's a heck of a lot easier to steal MP3s than to buy them.
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But if the laws are to be so trampled upon with impunity, and a minority is to dictate to the majority, there is an end put at one stroke to republican government, and nothing but anarchy and confusion is to be expected thereafter.
Until the 'Stand Your Ground' law is abolished in Florida, I will never perform there again.
There's this thing called compulsory licensing law that allows artists through the record companies to take your music at will without your permission.
At first the music almost repelled me, it was so intense, and this man made no attempt to sugarcoat what he was trying to say, or play. It was hard-core, more than anything I had ever heard. After a few listenings I realized that, on some level, I had found the master, and that following this man's example would be my life's work.
My sense of rhyme used to be more involved in my songwriting than it is... Still staying in the unconscious frame of mind, you can pull yourself out and throw up two rhymes first and work it back. You get the rhymes first and work it back and then see if you can make it make sense in another kind of way. You can still stay in the unconscious frame of mind to pull it off, which is the state of mind you have to be in anyway.
[Unplugged] was also the cheapest to produce and required the least amount of preparation and work. But if you want to know what it actually cost me, go to Ripley and visit the grave of my son.
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