When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.

I started to write the song. And I was in Gladewater, Texas, one night with Carl Perkins and I said, I've got a good idea for a song. And I sang him the first verse that I had written, and I said it's called "Because You're Mine." And he said, "I Walk The Line" is a better title, so I changed it to "I Walk The Line."

I don't want to keep playing the same formula over and over again, otherwise you just go insane. I don't want to become stale. I want to be creative.

Groups break up because they never got across what they wanted to do personally, and they have creative differences, and egos start to clash.

The Seed Sounds Weekender is a vital reminder that music doesn't start in boardrooms or big arenas; it starts in back rooms, pubs, basements, and independent spaces run on love, grit, and belief in something bigger.