

Thus I got into my bones the essential structure of the ordinary British sentence, which is a noble thing.
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The greatest tie of all is language.... Words are the only things that last for ever. The most tremendous monuments or prodigies of engineering crumble under the hand of Time. The Pyramids moulder, the bridges rust, the canals fill up, grass covers the railway track; but words spoken two or three thousand years ago remain with us now, not as mere relics of the past, but with all their pristine vital force.
And what a noble medium the English language is. It is not possible to write a page without experiencing positive pleasure at the richness and variety, the flexibility and the profoundness of our mother-tongue.
Just as the sentence contains one idea in all its fullness, so the paragraph should embrace a distinct episode; and as sentences should follow one another in harmonious sequence, so paragraphs must fit into another like the automatic couplings of railway carriages.
Sometimes I might shift paradigms within the same song, but then that structure also has its own rules. And I combine them both, see what works and what doesn't. My range is limited. Some formulas are too complex and I don't want anything to do with them.
A good pen can also remind us of the happiest moments in our lives, bring noble ideas into our dens, our blood & our souls. It can turn tragedy into hope & victory.
I am going to give you a warning: be on your guard, because I am going to speak, or try to speak, in French, a formidable undertaking and one which will put great demands on your friendship for Great Britain.
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