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The heart can think of no devotion Greater than being shore to the ocean- Holding the curve of one position, Counting an endless repetition.

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Now it is time to sit quiet, face to face with thee, and to sing dedication of life in this silent and overflowing leisure.

I dwell with a strangely aching heart In that vanished abode there far apart.

The mind-is not the heart. I may yet live, as I know others live, To wish in vain to let go with the mind- Of cares, at night, to sleep; but nothing tells me That I need learn to let go with the heart.

There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is the most important of all to reach the heart of the reader.

It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound-that he will never get over it.

There is always the danger that we may just do the work for the sake of the work. This is where the respect and the love and the devotion come in - that we do it to God, to Christ, and that's why we try to do it as beautifully as possible.