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The heart can think of no devotion Greater than being shore to the ocean- Holding the curve of one position, Counting an endless repetition.

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Now it is time to sit quiet, face to face with thee, and to sing dedication of life in this silent and overflowing leisure.

The mind-is not the heart. I may yet live, as I know others live, To wish in vain to let go with the mind- Of cares, at night, to sleep; but nothing tells me That I need learn to let go with the heart.

I dwell with a strangely aching heart In that vanished abode there far apart.

It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound-that he will never get over it.

There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is the most important of all to reach the heart of the reader.

Sometimes, when I'm alone, I cry, 'cause I am on my own. The tears I cry are bitter and warm. They flow with life, but take no form. I cry because my heart is torn. I find it difficult to carry on. If I had an ear to confide in, I would cry among my treasured friends, but who do you know that stops that long, to help another carry on?