People would always tell me about minor chords - when you're writing a song, to put a minor chord in. For me, it's like doom, you know. You know somebody's gonna be extremely sick or die if there's a character in the song.

I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.

I just like a good, sad song. The sadder, the better. It moves me.

Sorry I did not link my song in that tweet to make it about me it's just that the song is literally about this disgusting situation and speaks more eloquently than I can on Twitter.

Sam Stone' is a song about futility.

Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.