I think everything Joni Mitchell did for music was big.

There's only one person in the United States we ever wanted to meet ... not that he wanted us. And we met him last night. We can't tell you how we felt. We just idolised him so much. ... You can't imagine what a thrill that was last night. Nothing really affected me until I heard Elvis. If there hadn't been an Elvis, there wouldn't have been the Beatles.

I'm making music for other people to listen to for pleasure. And hopefully, later on maybe they'll listen to it and go, "That bass line, boy, did you hear the way those drums interacted with that?"

Liza, in terms of sheer talent, just oozes with it. She has sheer energy and stamina, which she gets across the stage, and the way she delivers herself to the public is a good influence. There is a lot to learn from her.

I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.

See, there's only two theaters, man that are set up pretty groovy all around for music and for smooth stage changes, good lighting and all that - the Fillmore and The Capitol Theatre. And those are the only two in the whole country.