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People ask me how I make music. I tell them I just step into it. It's like stepping into a river and joining the flow. Every moment in the river has its song.

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At art school, a teacher said: 'The best paintings are when you get lost in a piece of work and start painting in a stream of consciousness.' I wanted to do music, not art, so started writing lyrics that way. The first song I wrote was called 'Ice Cream and Wafers.' The next was 'Holding Back the Years.'

Music, at its essence, is what gives us memories. And the longer a song has existed in our lives, the more memories we have of it.

Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.

Bellyache' is totally fictional. I like writing about things that aren't real. The song is about not trusting anyone and then putting trust in yourself and realizing that you don't know what you are doing, either. Or realizing that things you do with a group of people that you think are cool in the moment are ultimately all on you.

I've always felt music is the only way to give an instantaneous moment the feel of slow motion. To romanticise it and glorify it and give it a soundtrack and a rhythm.

Making music is like shopping for me. Every song is like a new pair of shoes.