To any white body receiving the light from the sun, or the air, the shadows will be of a bluish cast.
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A single and distinct luminous body causes stronger relief in the objects than a diffused light; as may be seen by comparing one side of a landscape illuminated by the sun, and one overshadowed by clouds, and illuminated only by the diffused light of the atmosphere.
The vivacity and brightness of colors in a landscape will never bear any comparison with a landscape in nature when it is illumined by the sun, unless the painting is placed in such a position that it will receive the same light from the sun as does the landscape.
A heightened sense of the observation of nature is one of the chief delights that have come to me through trying to paint. I accumulated in those years so fine a surplus in the Book of Observance that I have been drawing confidently upon it ever since.
The boundaries of bodies are the least of all things. The proposition is proved to be true, because the boundary of a thing is a surface, which is not part of the body contained within that surface; nor is it part of the air surrounding that body, but is the medium interposted between the air and the body, as is proved in its place.
The air moves like a river and carries the clouds with it; just as running water carries all the things that float upon it.
The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow.
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