

The young man should first learn perspective, then the proportions of objects. Next, copy work after the hand of a good master, to gain the habit of drawing parts of the body well; and then to work from nature, to confirm the lessons learned.
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Perspective is to painting what the bridle is to the horse, the rudder to a ship.
A good painter has two main objects to paint, man and the intention of his soul. The former is easy, the latter hard as he has to represent it by the attitude and movement of the limbs.
The painter strives and competes with nature.
Surely when a man is painting a picture he ought not refuse to hear any man's opinion... Since men are able to form a true judgement as to the works of nature, how much more does it behoove us to admit that they are able to judge our faults.
The poet ranks far below the painter in the representation of visible things, and far below the musician in that of invisible things.
He only moves toward the perfection of his art whose criticism surpasses his achievement.
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