

I always had an affinity for older people. I had a job delivering newspapers, and one place I had to go was an old people's home. Some people would introduce you to their neighbors as if you were a nephew or grandson. They didn't get many visitors, so they acted like you were coming to see them. And that stuck with me for a long time.
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I knew Fred since I was 14 and was first going to the Old Town School, Fred used to work part-time in the store. Every time I wrote a song Fred would turn on his really good high-class tape recorder, reel-to-reel, and record it. So he's got recordings of me on guitar singing all my songs in his apartment long before I ever recorded for a recording company. I never found out what happened to the tapes.
When an angel comes down and takes me away, memories of me and my songs will always stay until the end of time.
People love talking about when they were young and heard Honky Tonk Women for the first time. It's quite a heavy load to carry on your shoulders, the memories of so many people.
When I turned 40, I invited Johnny Cash to my party, even though I knew there was gonna be 200 people roasting a pig and wild as can be. He didn't come, but the next day, I got a bowl of chili he'd made and a note that said, 'John, I'd love to come to your party, but that would mean I would have to leave my house.'
I wrote most of 'Hello in There' in a relay box, which looks like a mail box, only bigger. Sometimes, it was so cold and windy on my mail route that I'd go inside the relay box and eat a sandwich, just to get away from the wind. I remember working on 'Hello in There' inside the relay box.
Man, it was a great place then. I love going back to Chicago. Man, it was a good amount of fortune. That Steve and I came along when we did, and got into the Chicago folk scene. It was kind of all ready for us.
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