People are afraid of Beatle music. They are still afraid of my songs. Because they got that big image thing: You can't do a Beatle number... You can't touch a Lennon song; only Lennon can do it... It's garbage! Anybody can do anything. A few people in the past have done Beatle songs. But in general they feel you can't touch them. And there are so many good singles that the Beatles wrote that were never released. Why don't people do them? It's good for me; it's good for Paul. It's good for all of us.
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I don't care what people say about my relationship; I don't care what they say about my boobs. People are buying my songs; I have a sold-out tour. I'm getting incredible feedback from my music.
I'm a Loser,' 'Help,' 'Strawberry Fields,' they are all personal records. I always wrote about me when I could. I didn't really enjoy writing third person songs about people who lived in concrete flats and things like that. I like first person music. But because of my hang-ups and many other things; I would only now and then specifically write about me.
Music is everybody's possession. It's only publishers who think that people own it.
All music is rehash. There are only a few notes. Just variations on a theme. Try to tell the kids in the Seventies who were screaming to the Bee Gees that their music was just the Beatles redone. There is nothing wrong with the Bee Gees.
Music has healing power. It has the ability to take people out of themselves for a few hours.
I'm coming out of the folk music tradition and that's the vernacular and archetypal aesthetic that I've experienced. Those are the dynamics of it. I couldn't have written songs for the Brill Building if I tried. Whatever passes for pop music, I couldn't do it then and I can't do it now.
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