I'm also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O'Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.

We are at a crossroads in the music business: with the rise of the internet, the world we live in has changed, and the past is not coming back. But I see the glass as half-full: the internet and social networking are new avenues for the next Bob Dylan to be born on.

I really believe we in the music industry can work together to find a way to bond technology with integrity and just really hope we can teach the younger generation the value of investment in music rather than the ephemeral consumption of it.

Because the record companies, in their ultimate wisdom, seeing what a great thing digital was, they sold all the places where they made records. Now people want records and they haven't got a facility to make them in, so it takes months and months and months to get vinyl. Vinyl is ultimately much better.

I need a new unit to sample and hold, but not an angry one, a new design, new design.

Anyone can make something with technology, but we've been a band for 20 years-it isn't algorithmic.