My songs are like Bic razors. For fun, for modern consumption. You listen to it, like it, discard it, then on to the next. Disposable pop.

In my songs, I try to look through someone else's eyes, and I want to give the audience a feeling more than a message.

It's kind of limiting using your intellect to write songs like Brown Sugar, isn't it? The only thing I'm really interested in is comparative religion and ancient history.

I think the best duets are those where there's a dialogue back and forth, and then the two singers go into a thing together.

The world don't need any more songs... As a matter of fact, if nobody wrote any songs from this day on, the world ain't gonna suffer for it... There's enough songs for people to listen to, if they want to listen to songs. For every man, woman and child on earth, they could be sent, probably, each of them, a hundred songs, and never be repeated... Unless someone's gonna come along with a pure heart and has something to say. That's a different story.

Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.