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I think Queen songs are pure escapism, like going to see a good film - after that, they can go away and say that was great, and go back to their problems. I don't want to change the world with our music. There are no hidden messages in our songs, except for some of Brian's.

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Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.

People are used to hard rock, energy music from Queen, yet with ['Killer Queen'] you almost expect Noel Coward to sing it. It's one of those bowler hat, black suspender belt numbers -- not that Coward would wear that.

I just want to write songs in my little corner. And I still love music, I've not been worn down by cynicism.

It's the way I like to work for these kinds of songs [like "Peace Trail"]. It was the right time of the month; everything was looking good.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

I always loved those songs. And with my high tenor, I thought I was pretty good - you know? - almost as good as Dennis Day.