Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.

People are used to hard rock, energy music from Queen, yet with ['Killer Queen'] you almost expect Noel Coward to sing it. It's one of those bowler hat, black suspender belt numbers -- not that Coward would wear that.

It's the way I like to work for these kinds of songs [like "Peace Trail"]. It was the right time of the month; everything was looking good.

There are so many self-references - it's always me in the songs talking about being in the song, like a character in a film that knows he's a character in a film.

When I have a creative insight, there is a high. I think back in the day, I made music as much as I did because it made me feel so good. I think you could argue that there is a creative addiction - but, you know, the healthy kind.

There's something missing in the music industry today... and it's music. Songs you hear don't last, it's just product fed to you by the industry.