

I went to Ealing Art School, in London, the year after Pete Townshend left. Music was a sideline to everything we did, and the school was a breeding ground for musicians.
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My dad knew I was mad about music. While he worked as a barber he would hear songs on the radio and we'd have endless discussions about them. So I got my first record player when I was 11 years old.
From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn't need a middleman, whereas all the other things in school needed some kind of explanation.
I'm a Loser,' 'Help,' 'Strawberry Fields,' they are all personal records. I always wrote about me when I could. I didn't really enjoy writing third person songs about people who lived in concrete flats and things like that. I like first person music. But because of my hang-ups and many other things; I would only now and then specifically write about me.
I meet so many people that just sort of say, "I want to thank you for your music. It really helped me" or "It changed my life."
I work with my brother Finneas, and he produces all of my music in his little bedroom in our house. We actually tried renting out a studio for a month when we were producing 'Don't Smile at Me,' but it was really hard there, and we ended up just doing it at home anyway.
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