I'd love to knock an audience cold with one note, but what do you do for the rest of the evening?
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My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.
You know, I have to have the umph. I've got to feel it, because if it's not getting through to me, the audience sure as hell aren't going to feel it either.
Elvis really died the day he joined the army. That's when they killed him, and the rest was a living death.
I think I have something tonight that's not quite correct for evening wear. Blue suede shoes.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.
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