From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn't need a middleman, whereas all the other things in school needed some kind of explanation.

My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.

For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.

I just want to write songs in my little corner. And I still love music, I've not been worn down by cynicism.

The first time I knew what I wanted to do with my life was when I was about four years old. I was listening to an old Victrola, playing a railroad song...I thought that was the most wonderful, amazing thing...That you could take this piece of wax and music would come out of that box. From that day on, I wanted to sing on the radio.

My father left his piano at the house when he left, and I wasn't allowed to play it when he was there because I wasn't as good as him. So when he left, I was determined to get as good as him, and I taught myself how to play music, and I just stuck with it, and I did it all the time.