The first time that I appeared on stage, it scared me to death. I really didn't know what all the yelling was about. I didn't realize that my body was moving. It's a natural thing to me. So to the manager backstage I said, 'What'd I do? What'd I do?' And he said "Whatever it is, go back and do it again.

Man, I was tame compared to what they do now. Are you kidding? I didn't do anything but just jiggle.

A song is like a dream, and you have to make it come true. They're like strange countries that you have to enter. You can write a song anywhere, in a railroad compartment, on a boat, on horseback -- it helps to be moving. Sometimes people who have the greatest talent for writing songs never write any because they are not moving.

The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.

One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.

I wanted a participation song, something the fans could latch on to. It was aimed at the masses. I wanted to write something that everyone could sing along to, like a football chant. And at the same time, I thought it would be nice to have a winning song that's meant for everybody. It worked a treat.