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The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.

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As far as songwriting, my inspirations came from love, life and death, and viewing other people's situations.

I love songs about horses, railroads, land, Judgment Day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother. And God.

Life is a journey that's measured not in miles or years but in experiences, and the route your life takes is built not of roads but of songs.

Life and love go on, let the music play.

Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.

I don't have to perform to stay in the public eye anymore. I really don't. I am who I am and what I do on musical stage these days really makes no difference at all. I already have all the momentum there. I am only doing it because I love to do it.