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The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.

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As far as songwriting, my inspirations came from love, life and death, and viewing other people's situations.

I love songs about horses, railroads, land, Judgment Day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother. And God.

Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.

Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does.

I just want to write songs in my little corner. And I still love music, I've not been worn down by cynicism.

I don't write songs about a specific, elusive thing. I write about love, and everyone knows what it is like to have your heart broken.