Even when I was in the orphanage, when I was roaming the street trying to find enough to eat, even then I thought of myself as the greatest actor in the world. I had to feel the exuberance that comes from utter confidence in yourself. Without it, you go down to defeat.

All I need is the opportunity,' I said confidently. He smiled. 'Seventeen's very young, and you look even younger.' I shrugged off-handedly. 'That's a question of make-up.' Karno laughed. That shrug, he told Sydney later, got me the job.

My costume helps me to express my conception of the average man, of almost any man, of myself. The derby, too small, is a striving for dignity. The mustache is vanity. The tightly buttoned coat and the stick and his whole manner are a gesture toward gallantry and dash and 'front.' He is chasing folly, and he knows it. He is trying to meet the world bravely, to put up a bluff, and he knows that, too. He knows it so well that he can laugh at himself and pity himself a little.

I'm unconscious while I'm acting. I live the role and am not myself.

Actors search for rejection. If they don't get it they reject themselves.

That is why, no matter how desperate the predicament is, I am always very much in earnest about clutching my cane, straightening my derby hat and fixing my tie, even though I have just landed on my head.