Songs should follow the state of mind of the actor on screen. It can be grammatically perfect, you know, with all those embellishments that the ustads are good at, only if you're singing for a film on, say, the life of Tansen.

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.

What makes a song last is real content from a mind that is thinking a little bit harder about certain things. A lot of artists don't really think that hard.

I was just 20 years old when I wrote Broken Arrow.

Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual. I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities.

As musicians and artists, it's important we have an environment - and I guess when I say environment, I really mean the industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.