

I have records in gold, in platinum, I have two Oscars, I have Grammys and so on.
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Like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years. Not once have I ever had the time to ask myself, "Are my songs literature?" So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer.
I've accomplished enough with the music that I haven't had to go out there and do other things to over-saturate.
You can have the platinum album. But, you know, when you still feel like you haven't quite found your place in the world, it kind of gives a crazy offset.
When I first started out in this music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to.
I've thought about every single word on this album for two years; I'd think about a tweet for 20 seconds. My album's gonna go out to, what, 10 million people, but a tweet could go out to a billion. The maths doesn't work out. I'll die on the hill of my records, but I won't die on the hill of my tweets. It's better to say good things less than to say average things more.
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